Title Sequence for a Conceptual Documentary

BRIEF  

Conceptualize an imaginary documentary and design a title sequence to introduce the film.

CONCEPT

“Beat the Count” is inspired by the remarkably long history of women’s boxing. The feature footage of this title sequence was filmed in 1901- by Thomas Edison! The documentary concept follows the birth of women’s boxing and the fight for representation in the ring, featuring pioneers and landmark events in boxing history. It relies on a wealth of archival assets to tell the story, lending itself perfectly to a layered, collage animation approach.

To illustrate the grit of these trailblazers and frame the historical period of the piece, I set a textured, sepia tone using a color palette inspired by the boxing ring and typography influenced by vintage boxing posters. 

The accompanying track (Katnip featuring Mia Pfirrman) makes the irony of Victorian women in dresses jabbing and ducking visceral, using its own juxtaposition of sassy, modern music against the historical images. The lyrics lend themselves to the idea of smack-talking before a bout. She’s going for gold and her opponent is nothing more than silverware. It feels suitable to drive this story; the pioneers of women’s boxing announcing their right to the ring. 

Final Frames

INSIGHTS

A challenge central to this project was how to unite the many archival assets I collected into a cohesive look and feel. The solution was multifaceted. I used color-correcting, photo editing, and a set of texture techniques, adjustment layers, and track mattes. Applying a consistent typography and motion treatment also tied the composition together, while rotoscoping and panning helped marry the still interstitial images with the title frame footage.

This project taught me not to hold back on texture in design. What felt was verging on messy was actually the layering this piece needed. Technically speaking, rotoscoping, keyframing visual to soundtrack, and stacking imagery cohesively are all new skills I owe to this project. In its next iteration I will find a more clever means of transitioning frames to make this composition stronger.


Thank you!

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